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钱体楷书字帖《钱南园戒子弟书》楷书字帖

钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖
钱体楷书字帖《钱南园戒子弟书》楷书字帖

钱体楷书字帖欣赏《钱南园戒子弟书》

钱沣(1740—1795)号南园,云南昆明人。乾隆36年进士。官至督察院湖广道监察御史。他不仅品德高,而且才学好,其书画之名,更享誉海内。他独创的“钱体”字更被传为是几百年来学颜真卿最得真意的上品之作。其笔墨凝重,力道沉郁,且方正庄严,笔笔不苟。后又熔欧阳询、米芾等家为一炉,形成了自家的独立风格,在书法史上占据了重要的一席。

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